It’s a fantastically clever setup one that allows us to travel back in time through this dying man’s lifetime and experience what led to this rather odd final request. Innovative mix between adventure game elements and classic RPG aesthetics When trying to overwhelm the player with a wave of emotions, the risk of falling into pietism is always around the corner, yet Kan Gao overcomes the abyss of rhetoric with an uncommon skill: To The Moon always keeps in balance between drama. Once they’ve travelled back through enough layers in his stored up memories (working their way from senior citizen to child), the plan is to make his childhood-self want to become an astronaut, giving him the chance to “remember” going to the moon. So it’s up to the scientists cum detectives to infiltrate his mind and search for clues to discover the root of his desire. He doesn’t seem to have indicated why Moonleap In order to activate a memento, you must solve a simple switching block puzzle, and, beyond this and scouring areas for clues, there’s really nothing more to this element of proceedings. As you journey through Johnny’s memories you’ll search environments for clues which are then fed into a memento in order to link your current memory to the next, allowing the doctors to travel further and further back to the start of his story. To The Moon’s gameplay mechanics are simple to the point of almost non-existence. A unique & non-combat story-driven experience
Our scientists start To the Moon by arriving at the house of a dying, elderly man named John, whose last wish is to visit the moon. This enables the scientists to give dying people a chance to live out their final request – even if only in their minds.
Rosaleane, scientists who live in a world where it’s possible to recreate memories. As the two doctors piece together the puzzled events that spanned a life time, they seek to find out just why the frail old man chose his dying wish to be what it is.
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